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  • announcement, brand identity, chalkbox work, Design, graphic design, packaging design, print design, publication design / June 30, 2021

    Printing lingo for the layperson

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  • announcement, brand identity, chalkbox work, Design, graphic design, marketing, process, Strategy, uncategorized / June 11, 2021

    Logo lingo for the layperson

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  • announcement, chalkbox work, graphic design, process, typography, uncategorized / May 14, 2021

    Typography lingo for the layperson

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  • announcement, Architecture, brand identity, chalkbox work, Design, graphic design, print design, process, Strategy, uncategorized / April 28, 2021

    Chalkbox Case Study: Kevin Spence | Architect Brand Identity

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  • announcement, brand identity, chalkbox work, Design, graphic design, print design, uncategorized / March 15, 2021

    Chalkbox Case Study: Washington State Insurance Commissioner Brand Identity

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  • graphic design, illustration, process, uncategorized / March 1, 2021

    Chalkbox’s Lead Designer Adam Taylor shares select works from 2020

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Seattle Interior Design Firm Identity – May Designs

Family Documentary Photographer Identity – Jenny Penney

Some Presentation Tips for BNI (Business Networking International)

Seattle HR Consulting Company Website Redesign – Plum

Seattle’s Capitol Hill neighborhood art-walk promotion – Blitz!
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Recent Posts

  • Printing lingo for the layperson
  • Logo lingo for the layperson
  • Typography lingo for the layperson
  • Chalkbox Case Study: Kevin Spence | Architect Brand Identity
  • Chalkbox Case Study: Washington State Insurance Commissioner Brand Identity

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Like typefaces? So do we!

On this website we use Open Sans for body copy, menus, and buttons. For headings, and our boiler plate message we use Bitter. Both are Google fonts available here. We chose these typefaces because they pair well with the typeface we use in our logo, Gotham. Gotham is a geometric sans-serif typeface designed by Tobias Frere-Jones in 2000. Open Sans and Bitter pair well with Gotham (in our opinion) thanks to a balance of contrast in the slab-serifs found in Bitter, and similarities in the geometric finish of those slab-serifs along with similar x-height and counter shape in both Open Sans and Bitter.

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