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announcement, brand identity, chalkbox work, graphic design, illustration, print design, project post, uncategorized / May 20, 2020

Chalkbox Case Study: Chalkbox Creative Identity Redesign

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announcement, brand identity, chalkbox work, graphic design, print design, project post / December 6, 2019

Chalkbox Case Study: Seattle Trike Identity

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brand identity, chalkbox work, graphic design, print design, project post, publication design / November 6, 2019

Chalkbox Case Study: American Institute of Architects, Washington Council Awards Book Design

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announcement, copywriting, graphic design / September 6, 2019

Great Design is Only Half the Battle

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brand identity, chalkbox work, graphic design, illustration, print design, project post / July 29, 2019

Chalkbox Case Study: Bad Cat Events Identity

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announcement, chalkbox work, print design, project post / April 3, 2019

Chalkbox Case Study: Women’s Funding Alliance Event Design

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announcement, brand identity, graphic design, print design, project post / February 1, 2019

Chalkbox Case Study: Pace International Brand Realignment

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Should you choose digital or offset printing for your project?

You’re almost ready to go with your company’s new brochure, annual report or other materials. The images are sharp and clear, the text is perfect, and the layout is exactly how you want it.

Now you’ve just got to transform this great design into something tangible(and make sure it still looks fantastic when a customer or stakeholder actually has it in their hands).

That means you need to print it—and it means you need to choose between digital and offset printing…

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Image resolution – Look great on paper

At some point, it happens to just about everyone who wants to use a digital image in print: The photo or graphic that looks perfectly fine on your screen becomes blurry, pixelated, or just plain bad once it’s on paper. What’s the deal?

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Like typefaces? So do we!

On this website we use Open Sans for body copy, menus, and buttons. For headings, and our boiler plate message we use Bitter. Both are Google fonts available here. We chose these typefaces because they pair well with the typeface we use in our logo, Gotham. Gotham is a geometric sans-serif typeface designed by Tobias Frere-Jones in 2000. Open Sans and Bitter pair well with Gotham (in our opinion) thanks to a balance of contrast in the slab-serifs found in Bitter, and similarities in the geometric finish of those slab-serifs along with similar x-height and counter shape in both Open Sans and Bitter.

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