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brand identity, chalkbox work, graphic design, print design, project post, publication design / November 6, 2019

Chalkbox Case Study: American Institute of Architects, Washington Council Awards Book Design

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brand identity, chalkbox work, graphic design, illustration, print design, project post / July 29, 2019

Chalkbox Case Study: Bad Cat Events Identity

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announcement, chalkbox work, print design, project post / April 3, 2019

Chalkbox Case Study: Women’s Funding Alliance Event Design

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announcement, brand identity, graphic design, print design, project post / February 1, 2019

Chalkbox Case Study: Pace International Brand Realignment

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Chalkbox Case Study: Headwaters Coaching Identity

Headwaters Coaching provides one-on-one mentoring, along with individual and corporate communications training, in support of an ambitious mission: “Renewing the human spirit for greater purpose, passion, and performance.”

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Should you choose digital or offset printing for your project?

You’re almost ready to go with your company’s new brochure, annual report or other materials. The images are sharp and clear, the text is perfect, and the layout is exactly how you want it.

Now you’ve just got to transform this great design into something tangible(and make sure it still looks fantastic when a customer or stakeholder actually has it in their hands).

That means you need to print it—and it means you need to choose between digital and offset printing…

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Image resolution – Look great on paper

At some point, it happens to just about everyone who wants to use a digital image in print: The photo or graphic that looks perfectly fine on your screen becomes blurry, pixelated, or just plain bad once it’s on paper. What’s the deal?

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Design Strategy: It’s not just a logo

Just like you wouldn’t dream of building a house without consulting with an architect, an engineer and a contractor, your brand deserves the same expert attention. You gotta start with a plan that you can build from.

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The impacts of good and bad design

It’s easy to think of graphic design solely in terms of how something looks, but both good and bad design can have an impact that extends far beyond simple aesthetics.

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Like typefaces? So do we!

On this website we use Open Sans for body copy, menus, and buttons. For headings, and our boiler plate message we use Bitter. Both are Google fonts available here. We chose these typefaces because they pair well with the typeface we use in our logo, Gotham. Gotham is a geometric sans-serif typeface designed by Tobias Frere-Jones in 2000. Open Sans and Bitter pair well with Gotham (in our opinion) thanks to a balance of contrast in the slab-serifs found in Bitter, and similarities in the geometric finish of those slab-serifs along with similar x-height and counter shape in both Open Sans and Bitter.

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